Synopsis:
Kaantha is a 2025 Indian Tamil-language period drama thriller film co-written and directed by Selvamani Selvaraj, and was speculated to be based on the life of M. K. Thyagaraja Bhagavathar. The makers later clarified that the film is a work of fiction. The film is jointly produced by Rana Daggubati and Dulquer Salmaan under their Spirit Media and Wayfarer Films banners respectively.
CAST: Dulquer Salmaan, P. Samuthirakani, Bhagyashri Borse, Rana Daggubati and others
TELUGU SWAG RATING: [usr 2.5]
Top Reviewers:
TELUGU360 (Rating: 2.5/5):
Kaantha is a film driven almost entirely by its actors. Dulquer and Samuthirakani deliver top-class performances that keep the film engaging even when the screenplay slows down. However, the slow narration and weak investigation portions may not appeal to everyone. Watch Kaantha only for its brilliant performances.
GREAT ANDHRA (Rating: 2.25/5):
‘Kaantha’ starts strong, engaging viewers with its depiction of ego clashes, nostalgia, and the intricacies of old-school filmmaking. However, despite technical polish and strong performances, the film falters in its latter half, unable to sustain its initial intensity or deliver a satisfying resolution.
HINDUSTAN TIMES (Rating: 2.5/5):
The engaging factor which was needed for such who dunnit kind of ending is completely missing. Though an extraordinary act in the climax somewhat tries to get it back on track, it couldn’t save the already laggy 2nd half. Overall, Kaantha has its moments generated by its lead performers and technical brilliance, but the slow treatment and unengaging murder mystery make it an average watch.
123TELUGU.com (Rating: 2.75/5):
On the whole, Kaantha is a somewhat functional crime investigation drama. The performances by Dulquer Salmaan, Bhagyashri Borse, and Samuthirakani are decent, and Rana Daggubati offers some timely relief. However, the flat writing, dull second half, repetitive scenes, and stretched pacing prevent the film from reaching its full potential. If you watch it mainly for the performances, the film works to some extent. If you expect a tight screenplay, strong character arcs, or consistent engagement, the experience might feel underwhelming. It is acceptable as long as expectations remain low.
